Delusions of Grandeur • R.D. Rhyne

January 12, 2021

Sunday Letter: Finding the Right Words

This letter is not what I originally set out to write. This is my third try. No idea where this will go or turn out, but I need to write.

First, the obvious. Last Wednesday was a horror show, broadcast live to the world. The people’s house—our house—was at the center of a terrible tragedy. Despicable. Outrageous.

I’m heartbroken for my country. Gone is our innocence.

And yet, I spent the waning hours of that horrible Wednesday watching, along with my family, the power-center of our government perform its solemn duties.

“Dad, why do they keep repeating the same words over and over?”

Amidst a dark chapter in the history of our democracy, we learned the legal process for how our Congress certifies our elections. The pageant of the parliamentarians was riveting.

A moment of defiance against the violent forces of insurrection. An affirmation that our form of government can and will endure attacks—both foreign and domestic.

I will never forget that evening, or the phrase “… both regular in form, and authentic.

The words are starting to come back. I’ve started working on a problematic plot in my Traveler series. I worried it would become major surgery, but it’s proven a fun bit of troubleshooting.

Times like these are when writing reminds me of programming. The story just needed a refactor.

My solution will likely require updates to earlier stories. I’ve not come out and said this you, but the final version of this series may be different from what you’ve read so far. Not terribly different, but hopefully improved.

I’m still on track to release The Addict soon. This updated arc reinforces the story and flow.

Once I’ve finished the series, I look forward to going into more specifics about the plot issues, and why I decided to change them. Since it’s central to core mysteries, I’m avoiding details that would spoil the story before it’s finished.

I’ve contemplated word changes to this site as well. The weekly letter has been an enjoyable addition to my week, but the Sunday part of the title is misleading. While I typically start the letters on Sunday, I’ve only finished and published a few on the same day.

Over the coming months, I plan to remove Sunday from the title and simply refer to them as “Letters”. Their titles will be replaced with their date of publication, while other essays maintain the traditional, descriptive title.

This change might accompany a design refresh. I dunno, something about isolation and idle hands.

Until next time.

December 29, 2020

Sunday Letter: Importance of Creativity

The first story I ever thought to write down was about a young women, Mara, who attended a special high school. Her school was created after a terrorist attack targets a large conference of primary and secondary school teachers.

Teachers become a scarce resource. In a panic, society turned to every means possible to fill the void. Given the year we’ve just experienced, you might think this is a contemporary story, not one that has been tickling my brain for 20 years[1].

One day I hope to return to this story and find something worth publication. In the meantime, this year reminded me of a particular character from that world: Mr. Nelson. He was inspired from my childhood by a real person with same family name.

Everyone I’ve met who was worth meeting has a story about a teacher who had a meaningful impact on their life. I have several. Mr. Watts[2] inspired me to study Computer Science, Dr. Allison[3] made algorithms cooler than cool, Mrs. Mayall[4] introduced me to Euclid and the beautiful art of mathematical proofs, and Mrs. Flannigan[5] taught me there was no shame in being the smartest kid in the room.

And that list doesn’t include three of my high school English teachers, whose impact I still feel today. Mrs. Braaton[6] made the classics of Shakespeare and Dickens come alive. Mrs. Hines showed me how to study and write critically about art[7].

But most of all Mr. Nelson[8] infected me with love for the written word. My experience in his classroom informed Mara’s experience. The fictional Mr. Nelson and his class are set-pieces for an exploration into the importance of creative thinking.

In Mara’s story, I contrast creativity against rote knowledge—facts, recitation, and observation. My postulate is that modern education places an emphasis on the latter, at the expense of the former.

Mara’s school uses an experimental technique to encode information directly into a student’s brain. This frees a student’s time and energy to focus on what to do with that knowledge.

Mr. Nelson’s class is the penultimate lesson in creativity, which prepares his students for their final test[9].

Creativity has been on my mind a lot this year. We have all indulged in streaming media to help pass the time. Music, movies, podcasts. The fruits of other’s creativity have kept us from feeling isolated.

To help them fight boredom, the Architect and I have encouraged our kids to dive into creative projects. Now is the time… or so the thinking goes.

And that’s why I share these tidbits of a 20-year-old story with you. The theme of that story—the importance of creativity—is more relevant than ever. We need each everyone’s creativity to get through this trying period.

If you have a project or idea that tugs at you, now is the time.

There have been 17 Sundays since I wrote my first Sunday Letter. This post is the 12th, which comes out to an average of three a month. Two-thirds is a passable on-base percentage I suppose, but leaves plenty of room for improvement.

To everyone who has read my writing this year, thank you. I’ve appreciated your feedback and encouragement. Wherever you are, I hope you enjoy a happy and healthy new year.

  1. Trying to write this story down is what prompted me to try and write an app for writing fiction. Which prompted me to build an app for prototyping apps, which in turn spawned the second half of my career. A fun story for another day. ↩︎

  2. Who do you think you are, Robert Rhyne?” Every time I walked into his class late. I never knew his first name, just that he was “H.W. Watts”. Whenever I would ask what the “H” stood for, he would smile and say “Hunk”. ↩︎

  3. On our mid-term, he gave us the following question: “How do you sort 7 numbers in 5 operations? Extra credit if you can demonstrate how to do it in 4.” That extra credit haunts me to this day. ↩︎

  4. She once told our class she gave extra credit to any student with the same name as her daughter. When I asked her if she had a son named Robert, she answered: “No, but I have a dog named Flower.” She called me Flower for the rest of high school. ↩︎

  5. The Flan” as she was affectionately known to all of my friends in AP Government. ↩︎

  6. Anyone who believes that only modern writers use sex to sell their stories should have to study Romeo & Juliet with Mrs. Braaton. ↩︎

  7. This knowledge came in handy later in life as I attempted to match wits with a young student of Architecture, who is as brilliant as she is beautiful. ↩︎

  8. I read and studied two of my favorite books of all time in his class: Frankenstein and A Brave New World. He encouraged us to write fiction, and discover our own voice. I didn’t realize it until much later, but he was the spark. ↩︎

  9. The colloquial name for the student’s final knowledge injection procedure. It is known to be brutal. Mara’s older brother committed suicide after undergoing the procedure. ↩︎

December 21, 2020

Sunday Letter: The Payoff

This is a really good reveal, but I don’t think you’ve earned it yet.” That was the beginning of a very good phone call.

Right as I set aside The Traveler series to rest, I sent a copy of the completed draft to a close friend for review. I was worried about my finish, and wanted a second opinion before diving into a detailed edit.

The series is changing before our eyes.

I’m not talking about a change to the story or characters—just the format. Originally, I chose to publish each story following The Traveler in a serial format. If you remember, that story was as a one-off writing experiment for the site launch. Then I was encouraged by your feedback and the idea grew.

As I moved deeper into the narrative, I could feel the pull of change. Each successive story has ballooned the number of scenes and amount of story I want to tell. The upcoming story, The Addict, follows three plot lines. None of them resolve in that story.

The Addict moves the narrative forward, but doesn’t stand on its own like the first three. You require the context of the earlier stories to make sense of it.

When I spotted the divergence in an early draft, I faced two choices: embrace the pull of change, or re-think the story so it respected the periodical format and stood on its own.

I’ve decided to embrace change.

The result for you, my earliest readers, is a chance to watch the whole thing evolve from a series of periodicals into a more traditional chapter-based fiction.

What does that mean?

In the short term, nothing. I’ll publish the conclusion in three chunks as originally planned. After the entire story is out, I’ll compile each scene from the six stories into a single volume, and edit them into chapters. Then… who knows.

I’m leaning towards self-publishing an ePub.

It fascinates me how this experimental story has evolved from a single short into a series, and now chapter-based fiction. When this site launched in April, I talked about working on “my first novel”.

This isn’t what I had in mind earlier in the year, but I can’t say I’m disappointed. Instead of a place where I could curate my best writing, this website has become a running dialogue with myself (and you) about how I’m writing.

I hope it’s a interesting read.

Serious edits for The Addict begin at the end of this week. I can’t wait to see how it forms up, and for you to read it. This week, as I contemplated my own story’s payoff, I got to enjoy another story’s payoff.

Without revealing any spoilers from an excellent season finale, I want to talk about The Mandalorian.

I love Star Wars. I’ve absorbed everything I can: movies, cartoons, and novels. The Disney acquisition had me suspicious about the future of the franchise. But they’ve found success wherever they have expanded the universe.

Dave Filoni has been at the heart of that expansion. Two of his animated series—The Clone Wars and Rebels—are wonderful. He dared to create his own unique characters in the universe, most notably a padawan learner (Ahsoka Tano) and clone captain (Captain Rex) for Anakin Skywalker.

Earlier in the year Filoni treated us to his devastating and emotional conclusion of The Clone Wars. His final season for Rebels was equally charged with emotion. His characters were at the center of both endings.

Partnered with John Favreau, Filoni added to that extraordinary cast of expansion characters in The Mandalorian. And true to form, characters were again the heart of the show’s payoff.

Over two seasons we’ve witnessed the principal—Din Djarin—grow from a ruthless bounty hunter who follows a strict code, into a selfless warrior charged with a quest. The writers use repetition over a collection of side-quests along the journey to reinforce Djarin’s rules.

The show takes its time.

Without spoiling details, Djarin starts to bend, then ultimately break his code. The how and why drive the main story. The result is a wonderful character drama that transcends Star Wars storytelling, yet maintains the charm of a story set in universe.

The payoff is emotional. If you write a character defined by rules, they’re most interesting when they break them. You have to be careful with the details, and ensure they’re true to their character. Favreau and Filoni use basic emotions—love, fear, and anger—to establish Djarin’s break from the code they painstakingly built.

It’s classic narrative misdirection. Build a character slowly. Allow your audience time to understand and think like them. Then use common emotions we all feel and understand to change the character. Now your audience shares the characters emotion, conflict, and triumph.

The Mandalorian is a simple story executed extremely well. There are other characters, each with their own arcs. But the series pays off because you follow the Hero’s arc, and experience their emotional journey alongside them.

I’ve learned a lot about storytelling from the series. Even if you’re not a fan of Star Wars, it’s an easy one to enjoy.

Speaking of emotion, my intended post for last week was a eulogy. As I wrote, it became too personal to publish.

I said goodbye to my grandmother last week. It was a rough experience, made harder by the distance imposed by the current pandemic. Thank goodness for modern technology, which made live-streaming accessible to my grieving family back east. It wasn’t the same, but it was a small comfort to see and hear my family as they grieved.

One more Sunday left in 2020. See you then.

December 07, 2020

Sunday Letter: Let it Rest

Flank steak is challenging to prepare. It’s a lean cut of beef, which made it perfect for the Architect’s birthday dinner. Like many of us during the pandemic, she’s paying attention to what she eats and how many calories.

The boys and I wanted her meal to be special, which meant stress-free, which meant it should be low calorie. I took cues from my sister-in-law, who provided recipes that she’s enjoyed (and prepared) herself.

Her advice on the flank steak was straightforward:

“Grill on high heat for 3-5 minutes per side. And be sure to let it rest, before you slice it.”

This was my first time cooking flank steak, but it turned out well enough… according to the birthday girl.

Flank steak requires 10-15 minutes rest after being cooked. If you slice it too soon, the meat will dry out and you’ll ruin an otherwise nice piece of meat. To rest, place it in a dish and cover with foil right after you take it off the grill. Then leave it alone.

In On Writing Stephen King talks about his writing process, and the importance of leaving a story alone after you first draft it. King moves directly to another story, placing the one he just finished in a drawer for several weeks.

He recommends a writer give themselves time to forget a story, so they can return to it with a fresh perspective. Just like flank steak, a new story needs time to rest.

On Writing helped me develop my own process for writing and editing. A lot of books on writing techniques focus on getting started, and maintaining rhythm. In contrast, King’s book focused on maturing a story through iteration.

The cadence I used to write the The Traveler series kept his advice in mind. I could draft a story, then return to edit the prior one. It was a good plan, in theory.

I hit a snag once I finished the draft for the fourth story. My plan for the fifth story veered away from the main narrative. That meant the story that followed the fourth chronologically was the sixth story. I would need continuity between them. However, the fifth story would also inform the sixth story.

The result was a dependency between all three. I would have to draft them together, before I could refine any of the stories further.

Now that I’ve finished drafts of all three—over 12,000 words—I need to give the story a rest. I’ll start to edit the fourth in a few weeks, with hopes to publish it by the start of the new year.

In the meantime, I plan to work more on Nebula Squad and finish the behind-the-scenes for The Banker.

I’ve also started to doodle.

A lot of what I read online is about how to “use the time”, or project ideas for those who find themselves bored. Remote learning, and a house full of people ready to strangle each other is hardly boring, but I appreciate the ideas for creative outlets.

I started with this tutorial series, from Pedro Madeiros on pixel art. His recommended program Aseprite works well on the Mac, but it’s also given new life to the Surface tablet I purchased earlier in the year.

The Surface lets me use a stylus to draw directly into Aseprite. The app itself is straightforward. I enjoy using it because its only for pixel art. Pixelmator, Sketch, and Photoshop all do a lot more, but fall short where Aseprite shines.

Right now I’m focused on learning the basics: shapes, shading, and dithering. Eventually I want to put some of this into a game. I have an idea for a story (of course), built on classic arcade titles like Missile Command, Defender, and Asteroids.

It’s fun, and it keeps my mind sharp. I can pick it up whenever I have a few spare minutes.

Though most of all, it lets my brain rest.

November 29, 2020

Sunday Letter: Swallowed in the Sea

It was a hard week. A lot came crashing down on me at once. Not anything specific that happened this week, but everything about this week. Thanksgiving week.

This was not the first Thanksgiving I spent away from family. We moved to California in 2016, so this was actually the fifth. Before the recent rise in cases, we had plans to drive cross country. Spend several weeks back east with family and old friends.

Plans. Travel.

Words that seem foreign after this awful, unpredictable year. Then moments after we canceled our trip, I was reminded why I should be thankful.

Both of my boys have “their playlist” where they collect favorite tunes. This makes car trips easier[1]. They also fill our home, as the boys discover how many devices in the house can play their music.

I’m proud that both of them have an eclectic taste that spans genres and generations. Music matters to them. It motivates them, and inspires their creativity.

It was my youngest son and his ferocious appetite for new music that gifted this story.

Like many his age, he lives on his iPad. He plays games and watches his fair share of YouTube, but iPad is also his canvas. And his jukebox.

I watched with envy as he searched music and related artists on Apple Music. Impressed with how quickly he figured out he could add anything to his playlist with a long-press.

Sidebar, so I can talk a little about how cool I am. My boy was transfixed by the full-screen player in Apple Music. “It looks so cool, Dad. I like how it takes over the whole screen.”

At the beginning of the year, the Music team needed some help getting their iPad update ready in time for WWDC. Our software releases were massive this year. All hands on deck kind of effort. So when Music needed help, our program office was desperate enough to let a manager take a few weeks sabbatical to help.

People ask what it’s like to work at Apple. Nine months after I split myself in half[2], I watched my son discover music using software I helped to write.[3]

As great as it made me feel, that isn’t why I’m telling you the story. The moment I want to tell you about happened as we were talking about Coldplay.

Yes, Coldplay. Some people like them, some don’t. I love them… and so does my youngest son. I know their catalog by heart. I couldn’t help but sing along as he cued track after track. He wanted to sing too, so he tapped the Lyrics button.

We sang. We danced. It was the kind of moment every parent dreams they’ll share with their children. Music matters to us. It motivates us, and inspires our creativity.

Then one of my favorites came on:

And I could write a book. The one they’ll say that shook. The world and then it took. It took it back from me.

Swallowed in the Sea isn’t the kind of song he’d pick by the sound of it. It was the lyrics that grabbed his attention.

He’s a storyteller[4].

I watched and smiled as the world opened up before his eyes, and made just a little more sense to him.

This week was harder on me than it has been over the past five years. There were also moments of joy. Memories, like this story, which remind me things are going to be okay.

Fortunate for you, my dear readers, I was creatively productive during the week. On Saturday, I finished drafting the final story in The Traveler series. It’s a bit of a beast, north of 6,000 words. We’ll see how much survives in edit.

But I finished a story.[5]

Wherever you are, I hope you’re staying safe. Just a few more weeks before we toast 2020 into the history books.

  1. “Hey Siri, play <child_name>’s Jams.” ↩︎

  2. My team had demos planned for WWDC as well. ↩︎

  3. Parachuting into another team is hard on the other team. The Music team was really awesome to work alongside, and they welcomed me even as I stumbled to learn to their style and codebase. ↩︎

  4. A damn creative one, if I’m permitted to brag. ↩︎

  5. 🎉🥳 ↩︎

November 16, 2020

Sunday Letter: The Mac is home

The Architect always complains that I prattle and don’t get to the point fast enough. So here it is: earlier this week I bought an M1-powered MacBook Air with my own money. I’ve had the rare luxury of debating this decision for months.

All told, it wasn’t a hard one.

I’m responsible for a team that ships software for the Mac. As a Software Engineering Manager at Apple, I’m also responsible for reporting software issues and ensuring they get fixed.

This makes it particularly difficult to leave work behind. If I discover a bug while writing this letter, I need to stop and file it.

The Mac is work.

My father once told me that he could never work at a bakery. He had a roommate who was a baker. Every day after work that roommate would bring a box of fresh donuts home with him.

I thought it’d be awesome to work at a bakery. But my father explained why he didn’t. His roommate hated donuts. He saw them every day. Baked them, sold them, smelled like them, and got them on his clothes.

My Dad’s message was that too much of a good thing isn’t great. You lose your taste for something when it’s no longer rare. Over the years, that lesson evolved.

Anything fun can feel like work, if it’s your job.

Some people don’t understand why I want to spend more time at a computer after spending my entire day in front of one. It is strange, I’ll admit. Many people enjoy watching television, or solving Sudoku puzzles in the evenings to unwind.

I enjoy writing and programming.

Since doing those on a Mac carries the chance I get drawn into work, I get an urge to try something new every so often. A desire for a computer that has nothing to do with work.

It’s no secret I enjoy using an iPad full-time. I’ve used one exclusively for months on end, including last year when I programmed[1] multiple playgrounds for a WWDC20 challenge.

The iPad Pro is a versatile computer, which promotes focus and clarity. The iPad easily goes wherever you do, from the office to your living room and couch. However, when I was using the iPad to write or program, I preferred to use it at a desk where the flexibility and small screen become a liability.

And the iPad Pro carries all of the work concerns of the Mac. If I find a bug, I need to file it. Work email, texts, and Slack are all there, too.

The biggest draw of the iPad is that I could rely on the same software to think, mainly Ulysses and Things.

My curiosity got the better of me after reading reviews of the Surface Duo. I’m intrigued by folding computers, and everything I read about the Duo said it was well made.

Well made computers are why I’ve relied Macs and iPhones for so long. And while I believe Apple makes the best hardware, I’m not enough of a zealot to presume they’re the only company that can make good hardware. I own multiple Kindles[2] and a Nintendo Switch, after all.

That said, the quality of the Surface Duo defies belief. It is so good, I started looking at other Microsoft Surface products. When Microsoft announced the affordably-priced, but unfortunately named, Surface Laptop Go I took a chance.

Again, the quality of the Microsoft hardware exceeded my expectations. Its dimensions were comparable to the 12” MacBook, paired with a good keyboard and better-than-expected trackpad. As a bonus, Windows comes with a Linux sub-system that’s easy to install. Also Windows Terminal, which is a dream to configure and use.

Using the Terminal application, I built and installed the Swift toolchain. After dusting off some of my Unix skills, I had a familiar programming environment in VIM and a fast capable browser in Microsoft Edge.

Sure, I missed key applications like Things and Ulysses which are only available on the Mac, but I was able to find decent alternatives. I wrote a few articles on the Surface Laptop Go. Even started building my own writing tools in Swift.

It felt like going on a vacation each time I powered it.

The Microsoft Surface experiment made me curious to try other computers. The next one started as I was reading an article about Android development[3]. It turns out you can develop for Android on ChromeOS.

My first (and only) experience with ChromeOS was the original Pixelbook that I got as a freebie for attending Google I/O in 2014. At the time, ChromeOS was limited only to browser tabs. No local file access, no offline apps, and no Linux.

I had heard from others that ChromeOS could dual-boot into Linux, but after reading more I discovered a modern Chromebook could open Linux terminals alongside browser tabs. Intrigued, I looked more into them.

Like most people, I assumed Chromebooks were all cheap machines. Then I read this guide from the Verge. In that article Dieter Bohn links to his full review of the (also unfortunately named) Google Pixelbook Go.

In his review he states:

I mentioned in our first look at the Go that I needed to make sure I didn’t get too excited about the keyboard without further testing. Now that I have, I can just say that I love it. It is my favorite thing to type on by a long shot.

Woah. (emphasis added)

I have two vices: bags and keyboards. After reading that review, I had to try it out.

If the Surface Laptop Go surprised me, I was astonished by the Pixelbook Go. The keyboard lived up to the hype. Battery life is insane. With average evening use around 2-3 hours, I only needed to charge the Pixelbook Go once a week.

Like the Surface Laptop Go, I used a Linux terminal to run the Swift compiler and familiar VIM editor. I even dusted off my tmux chops to get a proper multi-window environment.

While Chrome can be a pig on a Mac, it sings on the Chromebook as you would expect. Paired with the linux environment, I had a very fast, fluid laptop with everything I needed for my evening adventures. I even used the Android version of iA Writer for writing.

As with the Surface Laptop, I splurged for the $850 mid-tier model. Cheaper than the MacBook Air, but not by much.

Experimenting with both has felt like a vacation, during a year where it was impossible to take a real one. Both machines are excellent hardware with good battery life, very good keyboards, and great screens. Apple isn’t the only company that can make good hardware.

But I missed the software.

Some of what I missed were great apps critical to my thought process like Ulysses and Things. While on my writing vacation, I took the Surface Laptop Go. When it came time to write I used my iPad instead, so I could do it in Ulysses.

I also missed smaller details, like typography. Microsoft’s ClearType anti-aliasing makes a mess of most typefaces on anything short of 4K resolution. Google doesn’t license professional typefaces, preferring those with a liberal use license. I missed SF Mono.

Most of all, I missed key-mappings. Cut/Copy/Paste are thumb-x, thumb-c, and thumb-v respectively. If I want to advance the cursor to the beginning or end of the line, that’s thumb-<left> or thumb-<right>.

Re-mapping keys on Windows is do-it-at-your-own-risk, and involves editing the registry. Gross. Google offers a preference in settings, and I was able to remap the search key to something close to the command-modifier on macOS.

Keyboard muscle memory makes for a frustrating sometimes experience, though.

I have a co-worker who likes to experiment as well. We have a standing meeting every few weeks and spend time talking about our flirtations with “the other side”.

He’s the one who likened them to a vacation. I really liked that notion, so I stole it. The same friend had another phrase, which I came to appreciate after a few months using other computers.

The Mac is home.

Microsoft and Google impressed me with their computers. Both were better than expected, and that gives me hope. Yes, really. Hope.

Competition is good for everyone. Both computers I tested are comparable to the MacBook Air.

… or I should say they were until last week.

I’m very excited for the M1, and the computer I will call home in the evenings. I’m proud of my colleagues who worked so hard to bring these new Macs to life.

Sorry Dad, you were wrong. Working at the bakery is awesome, and I still love donuts.

  1. Swift Playgrounds with a Magic Keyboard is quite an experience. ↩︎

  2. A brief sidebar on the Surface Duo. It is an excellent device for reading. Better than a Kindle level of excellent. While I would never recommend a $1200 device just for reading, if you bought it for other reasons, you have the best e-reader money can buy. ↩︎

  3. There was an urge to write an EPUB previewer that would take advantage of the Surface Duo’s dual screen configuration. I eventually discovered Google Books as a plausible alternative, after getting past a few bugs. Like the fact that Google Books wouldn’t open EPUBs exported from Ulysses if I forgot to set an author in the metadata. ↩︎

November 03, 2020

Sunday Letter: Looking for Heroes

The week was a productive one for writing. I now understand how The Traveler stories will end, even though I still have a few touches left to make on the final installment.

As I closed out the story, I asked myself: How has the story changed since I started writing it?

In most ways, the series has turned out as expected. But as I read the drafts of the last two stories, I became concerned that different character might emerge, unexpectedly, as the hero.

Consider the Star Wars trilogy. Everyone thinks of Luke, Princess Leia, Hans Solo, and Chewbacca are the heroes. However, as the story wound towards the penultimate battle between good and evil, it’s the story’s villain—Darth Vader—who makes the sacrifice that saves the day.

Who is the real hero of that story?

I faced a similar dilemma as I wrote my final pages. From my earliest notes, I knew who I wanted to be the hero. But would that character be in the right place during the climatic scenes? And what would that character do to elevate themselves in the eyes of the reader?

Throughout writing The Traveler series, I’ve gone where the characters and their actions led me. Like any author, I favor certain characters. Often it’s the characters I associate with get more prominence in the story. It’s easier to write them.

This unconscious bias is part of who I am. And as a result, it’s part of what I write. I knew who I wanted to be the hero, but it wasn’t always how I wrote the story.

“Write what you know” is common advice I’ve heard from friends who write. I try to be mindful of this whenever I consider a new story. I’m also cautious with it.

The world has enough protagonists who look like me, talk like me, and have a similar background. As a writer, I want to challenge myself. Write about those who are unlike me. Use my writing to explore the world around me, and seek to experience it from different perspectives. Unconscious bias can be a roadblock for in this pursuit.

For the final installment, I want a satisfying conclusion to the story. The first two of the three as-yet-to-be-released stories have plenty of reveals, character development, and world building.

For the final story, I’ve set out to write an action movie. Fast paced, with small twists, and enough suspense to leave you hanging on each word.

I only hope the right hero emerges.

Writing has been cathartic. It’s given me an outlet to express my frustration and focus my concern about what happens around me.

Our bias is everywhere, and we can spot it if we’re honest with ourselves. On the eve of this tumultuous election, it’s too easy to label those who disagree with us as “others”.

My country, and the world at large, has become more polarized. It’s easy to blame a single person or even a group of people, but the real issue is within each of us. We all have the opportunity to be a positive, unifying force in our community and country.

We all have the opportunity to be heroes of this story—not just the two guys running for President.

Foremost, if you’re in the U.S. and haven’t already, I hope you vote. Then as you settle in this evening to watch the results, think about how you can be a unifier.

October 26, 2020

Sunday Letter: Taking Vacation

As I alluded in last week’s letter, I took the week off. Not because I had a trip planned or family was visiting from out-of-town. Nope, this was nothing more than much needed time away from work.

During the week, my family was generous enough to let me take some time away from them to focus on writing. It might sound like work, but I treat writing as structured relaxation.

Writing fiction gives me a place to channel frustration and allow the left side of my brain to switch off.

This isn’t the first writing vacation I’ve taken. Last year, about the same time, I took a three-day trip south to Salinas. It was during that trip where I wrote a page in my writing journal that would become The Traveler. Seemed only fitting to devote this year’s writing vacation to completing the series.

And I came close to finishing. Two of the three remaining planned stories were written this past week.

I’m really happy with how they’ve come together. The plot in these last three represent several of the core ideas of the series, and appeared in the very first outlines. I would share my first journal entry with the concept, but it would ruin the story.

It also feels good to complete a story that I’ve started. When I began writing fiction a few years ago, my first (and foremost) goal was to finish.

I’m not done yet—and don’t want to jinx myself—but this most recent writing vacation gave me the momentum I needed to get there.

So things are back on track after my break last month. I’m focused this week on the final story, and—if I can—finish the behind-the-scenes post for The Banker.

That’s a lot of writing (for me), but I’m on a roll.

October 19, 2020

Sunday Letter: Breaks are Good

Folks who know me, are aware how much I enjoy the West Wing. Josiah Barlett has one of my favorite character introductions, which occurs towards the end of the pilot episode.

During that intro he has a line, which starts “Breaks are good—I know how hard each of you work…”

The line sticks with me, and no matter how many times I’ll watch the episode, it never fails to trigger emotion.

I’ve had sort of a break from writing on this site and this letter. Not that I stopped writing altogether—far from it. I just finished review season at work, and I’m still making steady progress on The Traveler series.

There is a rhythm to writing. As long as I’ve tried to write more seriously, I’ve been mindful of its impact. When you’re in rhythm, the words seem to flow with ease and it can be too easy to forget how you struggled in the beginning.

That is, until you fall out of rhythm. Instead of slowing to a trickle, it feels like the bottom falls out and you hit a wall.

I’ve battled falling in and out of rhythm for as long as I’ve written. Most of what I’ve read online stresses the importance of developing “a writing habit”. The advice reduces to something along the lines of “do it over and over”. Apparently writing is easy once you develop a habit.

I’ve tried. Give myself deadlines. Talk about writing goals with others for accountability. I even tried the common tricks. 50,000 words in November or write everyday for a month. No matter what I tried, I couldn’t get clear of the inevitable.

Eventually, I would fall out of rhythm.

Let’s have a sidebar about distractions. Writing is something I enjoy, but it isn’t the only thing I enjoy. And like any hobbyist, I struggle to find time for all of the things I find interesting.

“Focus, Rob”. It’s okay, I know you were thinking it even if you didn’t just say it out loud. To be fair, it is certainly part of the problem.

Not because I lack focus, but because of when I lack focus. Helping others focus is a regular part of my day job. When I get to my final hours of the day—the two or three which I can devote to my hobbies—I struggle to find the discipline to focus.

Worse even, the part of my brain that tells me to focus turns an enjoyable task like writing into something I have to do. Which makes writing as enjoyable as the last mile of a marathon.

I’m never happy with what I write in those moments.

Building a habit by rote repetition doesn’t yield the result I’m after, which is to write better. That requires motivation and a brain which isn’t addled by exhaustion.

So when the pressure from work ramped, I took a break. It wasn’t intentional, and it went for longer than I anticipated.

My secret to maintaining motivation? Breaks are good.

Breaks aren’t a problem. For me, they’re a fact of my ongoing attempt to write more seriously. And to keep going, I had to allow myself to be okay with taking breaks.

To go on sidebars. Be tired. Be motivated. To take a cheat day. All of these are okay…

… as long as I start-up again. Pick myself up and keep writing.

After acknowledging his staff’s need to take a break, President Bartlett rallies them together with a simple phrase.

Break’s over.

Speaking of breaks, I’m taking one from work all this week. No promises, but I’m planning to make a big push on The Traveler series, including a behind-the-scenes post for The Banker.

September 22, 2020

Sunday Letter: Shut Up and Listen

Some weeks work against you, and this past week worked me over. It’s an excuse and I’m offering it as one. Fact is, I didn’t make it four weeks before I missed one of these letters. No excuses.

After I missed writing over the weekend, I planned to take the week off. I said “I’ll do it next week”, and gave myself permission to take a cheat week.

… and then I decided against it. I have something to say to my fellow middle-aged, white nerds.

A friend shared a hilarious TikTok video, which they found on Twitter. Go watch it, if you haven’t already. I laughed out loud. Actually laughed. Out loud.

Then I shared it with friends and family. And because it’s Twitter, someone else shared the inevitable reply. There’s always a reply.

And it was, of course, from a middle-aged, white nerd.

Over the past few weeks I’ve been—once again—reminded that I talk too much. I talk, when I should be listening. And when I do listen, I talk before I’ve heard what was said.

I hate this about myself. I want to stop. I try to stop. But I don’t.

This video has been around for years. I’ve watched it over and over. I’ve read think pieces that attempt to explain, so I have an idea of what I should understand from it. But if I’m truthful, I don’t understand it. And that bothers me, I want to understand.

All too often I’ll respond to someone by attempting to figure out or fix their problem. I want to help people, even feel compelled to do it. But not everyone talking about their problems is asking for help. Nor are they necessarily looking for me to solve their issue.

I see the problem before the person.

In principle, I understand how to be a better listener. And yet, I still suck at it.

When I watch this reply to the funny TikTok video, I see myself. It reduces a funny, lighthearted video to another person with a problem to solve.

Fellow middle-aged, white dudes—for fuck’s sake—take a breath, don’t rush to explain.

Shut-up and listen.

September 15, 2020

Sunday Letter: Room to Think

Always a great feeling when I get to publish a new story. I hope everyone enjoyed The Banker. I’m already working on the behind-the-scenes post where I discuss characters, and how I use technology. Look for that later this week.

Like the prior two stories, I found new characters during my first draft. I’m starting to get used to their sudden appearance. A strange feeling, but it encourages me to continue writing. How else am I gonna know how the story ends?

When I told this to a friend, they remarked “You’re watching a movie that you’re making.” It made me think.

Working from home, combined with remote learning has left my family feeling cramped in our quaint California home. If you’ve ever met me in person, you know that I’m loud. And as a manager, I spend the majority of my day in meetings. Talking. Loudly.

A noisy train station would be a less distracting learning environment for my boys.

To make it easier for everyone, the Architect[1] built-out a new space for me to work. She started with an existing detached shed in our backyard. There’s two things you should know about her: (a) she is quite good at what she does, and (b) this is the second time she’s built an office for me. Her final result is a space made for thinking.

I love it.

After months of working on cramped laptop and iPad screens, I finally had room for my 34” cinema-wide display. It’s mounted to a spacious sit/stand worktop, which lets me spread out. Driving the display is a desktop Mac I received just before quarantine[2].

The difference is stark.

So much, I felt compelled to tweet:

I love the iPad and work full time from it on many days. But every time I use a Mac connected to a huge-ass display, I feel as though I’ve been thinking in pants two sizes too small.

The majority of my day job still involves the iPad. But since moving to the shed, I’ve done most of my writing on the Mac. This runs counter to the growing opinion that the iPad is the ideal writing machine because it removes distraction.

This conceit assumes the iPad’s single-tasking model leads to more focus. And focus is good for writing. You need to immerse yourself in thought in order to write. Or so goes the reasoning.

So why have I preferred the Mac?

As you can imagine, I’ve given this question much consideration. My working theory is this: Deep thinking requires more than focus, it demands space.

This is a screenshot of my Mac while I was editing The Banker. The center black window is my Ulysses editor for the story—the manuscript window, if you will. To the right is the preview window from Ulysses with a custom theme that matches this site’s design.

Having the preview render differently than my editor is an important part of my writing workflow. Especially when editing. A spelling mistake or word choice that gets lost in a text editor can become apparent when previewed.

To the left are my outline windows. The first is another Ulysses window with a numbered list of plot items. The bottom-most window is Things where I collect all of my thoughts (more on that in a bit).

I replicate this layout for each open writing project. Above you see spaces for this post, the aforementioned behind-the-scenes post, and the next story I’m writing. A three-finger swipe on my Magic Trackpad takes me from one project to the next.

From these previews, I can also see which projects needs work. The yellow bands in the editor window are notes for each section or scene in that project. When there is a lot of yellow bunched together, it tells me where the manuscript is incomplete.

Every story starts with a quick two or three sentence synopsis that I capture in Things. Below was the initial synopsis for The Banker.

This is my initial capture of the idea. For stories, I expand this synopsis on paper and eventually in a Ulysses sheet that sits in that window on the left. Here I convert the synopsis into events that set the plot. Thinking about plot moments at a high level lets me hone the characters’ movement within the story.

I want to ensure the actions of my characters drive the plot—not the reverse. Once settled, this list gets converted into notes which I embed into my manuscript using %% tags in Ulysses[3].

As you can see, the Mac fills my peripheral vision with a complete picture of the project. From outline to final proof, I can visualize the story at a glance. And I can layer information on top of this as needed.

Safari windows for research. Photos. Even the text editor I needed to update my site’s CSS, so I could properly handle the images in this post. I did all of it in a single space.

This entire workflow is dedicated to a single task: writing. But this task requires multiple windows from multiple apps.

All of this (and more) is why I prefer the Mac for writing. But this is not an indictment of the iPad, nor is it a slight against it. Given that my 34” display is not portable, I have to consider an amended workflow when I travel away from my desk.

If I consider advantages, the Mac loses its edge when compared to an iPad in a portable setting. Even on the largest MacBooks, there’s too much overlap between windows to use my desired three-up Ulysses layout. And once I pare down to a two-window setup, I’m well within the sweet spot of the iPad.

Hard pressed, I can make do with an iPad and a paper notebook because every app mentioned exists on both iPad and Mac. They also work well on both platforms.

But when I really need room to think, there’s no better place than my desktop[4] Mac connected to a huge-ass display.

  1. People often ask why I call her the Architect. She is, in fact, an architect by training and profession. But also by affliction. Her mind is constantly working. ↩︎

  2. My team recently released our product on the Mac. ↩︎

  3. I use a modified version of Matt Gemmell’s theme for my editor window. ↩︎

  4. Someone will ask: “Why not a laptop connected to the huge-ass display?” In theory they work the same. Except when you consider I’m dumping the current state of my brain into these spaces. The window shuffle and resizing that happens when disconnecting from an external display is devastating. This simply doesn’t occur on a desktop that never leaves its primary display. ↩︎

Short Story

The Banker

A muffled scream cried out from Gertrude’s apartment. She shifted a basket in her arms, and thumbed the door open.

“I can’t see!”

The man she recovered from the alley was on the floor, writhing in pain. It was the fourth day he awoke panicked since she brought him into her home.

Gonna need a heavier sedative.

Gertrude fiddled with the controls on his med-cuff, then strapped him back into a chair.

“Sshhh. Easy. Give your brain a moment to catch-up.”

“Who are you? Where have you taken me?”

“You’re at my apartment, remember? I rescued you from the alley.”

“The alley? What are you talking about? Why can’t I move?”

The frightened man struggled under the restraints as Gertrude tightened them. His face twitched a few times before the sedative kicked in.

Now that he wasn’t going anywhere, Gertrude looked back to the door where she dropped her clothes basket. The contents were strewn about the entry.

Gertrude glanced back at the barely conscious man spread across her lounge chair.

“First time I’ve done laundry in two months. I sure hope you appreciate this.”

The stranger mumbled something back, just before he fell asleep.

“Have to get away…”

Gertrude grabbed a towel from the pile on the floor. She rinsed it with cold water, and dabbed his brow.

“Easy, partner. You’re safe here.”

“Where did the body land?”

A patrol hover-car was parked at one end of Franklin’s alley. The taller of the two officers asked the questions.

“Land? ’ell, I didn’t see no fall. Heard it, you get me? I look o’er dare and see’em. Layin’ on da street and not’a movin’.”

“If the body wasn’t moving, why isn’t it there anymore?”

Franklin appeared distracted by the cloaked man behind them, standing by the car.

“Huh? Oh, yah. I donna know, suit. He wa’ dare, then he ain’t.”

“Did you approach the body?”

“Did I... Ah ’course I did. He fell ou’ da sky.”

The two officers went silent. They stared at each other, then back down at Franklin.

“Da sky. Y’know, he a flyer. Rich bossa’s live up dare—”

Franklin paused to point towards the sky.

After a moment, he sighed.

“He ’ave cred, if he a flyer. I check for cred. But no cred on ’dis bossa. No. Fan-cy plush thread, but no cred in he pockets. No I–D neither.”

“So a man fell from the sky. Crashed into the street over there. You picked his pockets, no credits, and no ID... and then you left?”

Frankin smiled.

“Welcome to the ground, suit. Grounders no interested ’less we see cred.”

Again the officers looked at each other. This time the shorter officer spoke.

“Okay, thank you for your time... mister?”

“Franklin, suit. Ma friends, day caw me Franklin.”

“And you live nearby here if we need to find you?”

“Man suit, I donna live anywhere, but right here. Here where you fine me.”

The officers stepped away and the shorter one called in the incident on their communicator. Neither appeared concerned about the fall, or the disappearance of the body.

Nor should they. Franklin had witnessed hundreds of similar suicides. It wasn’t uncommon for someone to jump. But usually they had enough credits to make it worthwhile.

Before the officers made it back to their vehicle, the man in a dark cloak approached Franklin.

“You said the body hit the ground over there?”

He pointed in the vicinity that Franklin identified earlier.

“Ya, suit. Dat’s what I said.”

The man reached into his cloak.

“Oh, right. Pardon me for not introducing myself. I’m not a police officer.”

The man waved his communicator over Franklin’s wrist.

“I’m Agent Stamford… from NeroCorp.”

“I donna talk to altar boys.”

“Please, Franklin. I can make it worth your while.”

Stamford produced a roll of paper credits. Enough to finance several fine evenings for Franklin and his cohort.

Franklin stared at the wad, then reluctantly grabbed it from the Agent’s hand.

“Ya man, dat’s where the body fell.”

“Curious. I don’t see any markings on the road… or indentation where the road broke his fall.”

The street crunched underneath Stamford’s shoes as he walked toward the spot.

Franklin watched the man, but didn’t wheel his chair over to follow him.

“Dat’s ’cause it hit a few tings on da way down.”

“I thought you said you didn’t see the body fall?”

Franklin was looking back towards the garage of Gertrude’s building. He snapped.

“I told you I ’eard it. Didn’t make a smashin’ bang when he hit. ’was softer, like a bump. I ’ear allot. Bodies fall all a’time. Sad ting.”

Franklin was still looking at the garage as the Agent walked back towards him.

The Agent followed Franklin’s stare.

“’Ere, take dis back. I don wanna your cred.”

The Agent smiled, then pushed Franklin’s hands—and the money—back into his lap.

“Keep it, Franklin. You’ve been very helpful.”

The man from the alley didn’t wake up again for a few days. When he finally came around, his eyesight had returned.

“What is that?”

The stranger look confused as he stared down at his right arm.

“Oh, that’s my med-cuff. Probably used to something a little fancier. It’s all I can afford.”

Gertrude was in her kitchen, attempting to cook.

The man tried to sit up, so his left arm could grab the cuff. Instead he groaned.


Gertrude set down the spatula next to a pan of crackling grease, then looked back towards her guest.

“Take it slow, mister. You had a nasty fall. Should’ve killed you, I reckon…”

“Fall? Is that why I can’t move?”

“Probably. It crushed most of your bones. Do you remember anything about it?”

The man shook his head.

“I’m having trouble remembering anything.”

“That could be the neuron in inhibitor I mixed with your sedative.”

Alarm shot across the man’s face.

“You… drugged me?!”

The man started to struggle more, reaching towards the cuff. His alarm turned to anger.


Gertrude took a step back and reached for a nearby kitchen knife.

“Listen, stranger. That thing is regrowing your bones. You wouldn’t get very far if I took it off.”

The stranger let out a gasp of breath. But he stopped struggling.

“... I drugged you to ease the pain. You’ve had a rough couple of days.”

The man unclenched his fist.

“I’m sorry,” then he let go of the air in his chest.

“This is a lot to take in. You can put that down… I’m sorry I snapped.”

He looked towards his right arm, again confused.

“Did you say this is regrowing my bones? I… what?”

Gertrude returned a curious stare.

“You act like you’ve never seen a med-cuff before.”

“Never heard of one that could regrow bones.”

He must really be messed up.

Gertrude was about to ask another question, when the man’s face turned grim.

“What happened to me?”

Gertrude rinsed another towel and placed it on his brow. The man touched her arm softly.

He looked scared.

“I was kind of hoping you could fill in some of those details. But you’re still in shock, and the drugs aren’t gonna do much for your memory. What I do know is that you fell quite a ways. I figure close to a hundred stories.”

“A hundred… stories?”

Gertrude nodded.

“Yup. Much more and you would certainly be dead… instead it just crushed a lot of your body.”

The strangers’s eyes widened. He looked confused, like she told him he had fallen from the moon.

“How did you find me?”

“Well, you kind of found me when you hit the hood of my car. It broke your fall… and is part of the reason you survived, I figure.”

The man from the alley lowered his head.

“Thanks… I guess.”

He swallowed uncomfortably, like he had a bad taste in his mouth. Gertrude gestured towards the glass of water next his chair.

“The meds will dehydrate you.”

The stranger drank from the glass, still fixated on the med-cuff.

“This thing is regrowing my bones?”

“Well, it doesn’t eat them.”

He chuckled before he thought better of the sudden movement.

Gertrude smiled back as she dropped four semi-solid blocks into the grease.

“What is that? It smells good.”

“Protein supplement. My mom told us it almost takes like bacon, if you fry it just right.”

“Mmm. It’s been a while since I’ve had bacon.”

Gertrude gave the man a sideways glance. Something didn’t add up.

It’s been a while since anyone has had bacon.

Must be the meds messing with his mind.

Gertrude wheeled the man’s chair over to a small table where she had laid out two plates.

“I’m sorry, I’ve forgotten my manners. I…”

The man paused.

“… I guess I don’t remember my name either. I’m—”

“Your welcome, flyer. And my name is Gertrude. You’re welcome here for as long as you need to recover… As long as you behave yourself.”

The man smiled and nodded in return.

“Er, what did you call me? Flyer. Is that a joke about how we met?”

Gertrude huffed a laugh.

Well, at least he’s cute.

Hammersmith had never visited the 1215th floor.

It required exiting onto the 978th floor, then boarding an all-glass lift that ran along the outside of the building.

“Thank you, Agent Hammersmith. Mr. Trumble will be with you momentarily.”

The lobby outside of the office was also entirely glass. It gave an uneasy feeling one could walk right off the edge of the building into the abyss.

After a few moments, Mr. Trumble’s assistant granted Todd entry into a sparsely decorated office.

“Good morning, Mr. Trumble.”

“Please take a seat.”

Trumble was seated behind a simple desk, facing the windows with his back towards Hammersmith.

“It’s an honor to meet you, in person. Sir.”

The seated man didn’t move. He sat with his legs crossed, and made no effort to turn toward his visitor.

“Spare me, Agent Hammersmith. I’m aware of what my agents say about me behind my back.

Crazy Trumble sits alone atop his glass tower. Never meets with anyone. Manages from afar. Nothing like his father, the visionary. The great pioneer of NeoCorp.

“Sir, that’s not—”

Hammersmith cut himself off after he realized he was still standing.

The older man spun his chair halfway towards Todd.

“Please, Agent Hammersmith. Do take a seat. There’s no need to come to my defense. I know that it was my father who recruited you. He spoke very highly of your talent when I was a boy. Indeed, you’ve shown so much promise through the years.”

“Thank you, sir. That’s very flattering.”

“Yes, I imagine it is. But flattery is not why I summoned you.”

“Yes, sir. If I may… why did you call for me?”

Trumble response came after an uncomfortable pause.

“You’ve lost someone, Agent.”

Hammersmith stiffened.

“Yes, sir.”

Hammersmith waited to see what Trumble would say next. When he remained silent, Todd continued.

“Only moments ago I heard from Agent Stamford. He believes he’s narrowed down Mr. Michol’s location.”

“Indeed. Based on Agent Stamford’s report, I believe I can do a bit better. I know exactly where we’ll find Michols.”

Todd noticed a map display inside of Trumble’s desk. There was a building and floor with a location pin highlighted on it.

“That’s wonderful news, sir. If you could send me the location, I would be honored—”

“Did you know that my grandfather was an investment banker?”

Todd appeared confused at the sudden question.

“No, sir.”

“Yes. He managed several funds. Amassed quite a fortune for the time.”

Hammersmith thought it best not to interrupt him.

“My father, on the other hand.” Trumble smiled. “He took a different path.”

Trumble paused for effect, gazing out the window into the distance. His back once again to Todd.

“My father made his investments in people, Agent Hammersmith. And his accomplishment dwarfed my grandfather’s. There is nothing more valuable than a person’s potential, he used to say.”

Trumble paused, then wheeled around towards Todd.

“He was a charismatic man.”

The bearded man stood up and walked over to his desk. He pulled a record out of a stack, and slid it across towards Hammersmith.

“He used to quote scripture: Follow me, and I will make you fishers of men. Helped others see the beauty of our mission: To help our members find a new path.”

Trumble motioned for Todd to open the record.

“Our members mean everything to us. Agent Hammersmith, they must trust us, so we can protect them.”

Todd opened the file, and his eyes grew wide. He stared again at the pinned location on the map, and matched it to the address in the file.

Trumble continued.

“If we cannot protect one member, then none of them will trust us.”

Hammersmith nodded.

“I understand, Mr. Trumble.”

“In 52 years, this organization has never suffered a Code 57. Go to the address. Retrieve Mr. Michols at all costs, but most importantly, protect our members and their chosen path.

Hammersmith stood.

“I will protect our members with my life, as I’ve sworn in my proclamation of faith.”

“Use caution, Agent. A Code 57 is not to be underestimated. Our work is very delicate. Prepare every contamination protocol, in case they’re needed.”

“Yes, sir.”

“Agent Hammersmith, my father always said you would become our very best agent. Don’t forget the second-chance he gave you.”

“Thank you, sir. I have not forgotten.”

“Do not disappoint his memory.”

“Okay, let’s start again from the top.”

Memories had started to come back. Gertrude was trying to piece together the fragments, but it didn’t make sense.

“I remember being chased.”


“Yeah. I don’t recall their faces. Dark coats. Skin had a weird shimmer to it. And they were fast.”


“Do you remember the room where you fell? Do you remember any buildings?”

The man from the alley frowned.

“This is gonna sound strange…”

Gertrude handed him another glass of water. He’d barely touched his breakfast. Now that he had his strength back, the food must be getting to him.

I said it might taste like bacon.

The man took a sip of the water as he choked down another bite of protein supplement.

“I was in a warehouse. And I was running toward a loading dock. Thought I could jump on one of the trucks leaving. And then…”

The man hesitated, looking frustrated.

“And then what?”

“Well, the floor sort of disappeared out from under me. And there wasn’t any road. I didn’t realize how high in the air I was until I started to fall.”

“Sounds like you were in a flyer facility.”

The man looked confused, again.

“I don’t understand.”

Gertrude eyed him for a moment, then attempted to explain.

“Well… the dark men in cloaks. You said their skin was shiny?”

“More or less. It wasn’t like yours or mine.”

“Well, flyers don’t get pockmarks in their skin like we do, because they live above the acid rain clouds. Also they’re rich, and many of them get their skin polished.”


“A visual reminder we’re not as well off.”

It looked like the man was hearing this for the first time.

What if he never remembers? Who will take care of him?

Gertrude waved off the thought.

“This will all come back to you in time. Your long term memories are still fuzzy. Probably why you still can’t remember your name.”

The man shrugged his shoulders

“Anyway, you were up high. The flyers live and work in the tallest floors of buildings. That’s why this loading dock was in the air.

“There are rumors, of course.”


“… of labs where flyers conduct human tests on grounders.”


Gertrude thought better of it. Might be too much for him to take.

“They’re only rumors.”

Gertrude’s communicator chimed. She forked the last bite from her plate, then glanced at the stranger’s.

“Take your time with that. I know it’s not very tasty, but it should help with your memory. I need to get to work.”

“Are you going to be long?”

“Until the afternoon, at least. I haven’t met my quota the past few days, and I’m gonna need the money now that I’m feeding two.”

The stranger blushed.

“Wait, that reminds me. Before you go…”

He attempted to stand-up. Gertrude rushed back towards the man, as he gingerly took a few steps towards the counter.

“How long have you been on your feet?”

“Just started. Figured now was as good a time as any.”

The man stumbled slightly, and grimaced.

Gertrude grabbed his arm, worried he would fall. The stranger wheeled around with a folded brown bag in his other hand.

“What’s this?”

“Just something for your ride.”

Gertrude started to protest, when the stranger insisted.

“You’ve been taking care of me for weeks. It was the least I could do.”

Gertrude ran her hand up the man’s arm, and smiled in thanks. She wasn’t used to others looking out for her.

“Thank you. Now, let’s get you back into your chair.”

As she pulled him in close, the man put his arms around Gertrude and squeezed. The unexpected warmth from the man caught her by surprise. As she set him back into the chair, their eyes met.

Certain the man was about to lean in and kiss her, Gertrude made an awkward sound in her throat.

The stranger gave an awkward smile and settled back into his chair. Gertrude took a moment to regain her composure.

“Don’t try any more of that walking until I’m back, okay? I don’t want to return to you screaming on the floor again.”

“Yes m’am.”


Gertrude grabbed her communicator off the table, and made towards the door.

His voice was soft.



“I think I just remembered my name.”

Gertrude smiled.

“My friends. They call me Thad.”

Gertrude’s smile loosened for a brief second, then curled back into place.

“Well alright, Thad. I’ll see you this afternoon.”

“I’ been looking for you.”

Franklin was waiting in the garage by Gertrude’s taxi—his face full of panic.

“He still dare?!”

“Is who still there?”

Franklin looked around, then lowered his voice. Gertrude leaned down towards him.

“You know who. Dat bossa who crashin’ to your taxi!”

“Oh. You mean Thad. That’s his name, he just—”

“Shh! Don’t go sayin’ he name.”

Gertrude had never seen Franklin this alarmed. His eyes kept shifting from side-to-side.

“Here. Take ’dis.”

Franklin handed her a giant roll of credits. Gertrude’s eyes went large. It was the most money she’d ever handled.

“You need to’go.”

“Go? Go where? Franklin where did you get all of this money?”

“Long story. I ’splain it to you ’nother time.”

“Franklin, you’re scaring me.”

“Gertrude, they are after a man. Da bossa you pulled from da street!”

“Who is after him?”

“Dark cloaks. Shiny, flyer bossa types. The workin’ wit da suits. Been swarming ’round here for weeks.”

A pit formed in Gertrude’s stomach as she glanced back in the direction of her apartment.

So Thad is being chased.

Gertrude was quiet as she tried to think. Where can we go?

She lifted her head, the beginning of a plan formed. She handed Franklin her communicator.

“Where you go?”

“If I said, you wouldn’t be safe. When the coast is clear, I’ll send you a message.”

She nodded toward the communicator.

“If they leave or things change, you let me know.”

“Any’ting for you, Gertrude.”

Gertrude eyed her taxi. They were gonna need a distraction, and her car can be tracked.

“Franklin, do you know how to drive a stick?”

September 07, 2020

The Sunday Letter: I admire you

Since today is Labor Day in the US, I decided to take last Friday off from work. The four day weekend was much needed. It’s given me space to think, spend time with my family, and write. I worked on the polish edit of my third story in The Traveler series: The Banker, which should be out soon.

I spent a lot of time thinking about the transition between this story and the next one in the series. I’ve fleshed out the major plot events and Friday morning I began the first draft of a fourth story[1].

In both of these middle stories (née, second Act), I work to develop and shape the principal characters by introducing a pair of supporting characters. These two were on my mind as I watched[2] the British series Sherlock with my oldest son this weekend.

Friday evening we started A Scandal in Belgravia, which is the first episode of the second season. As the episode started, I remarked to my son “This is my favorite episode of the entire series.” It contains the best character introduction of all time for one of the great supporting characters from the original stories.

Sherlock Holmes was a genius, matched in intellect by only two of Sir Arthur Conan Doyle’s characters: Professor Moriarty and Irene Adler. These are the two characters whose intelligence and cunning Holmes respected as equal[3] to his own.

Conan Doyle created Moriarty as a means to kill Sherlock Holmes, and later adaptations have fashioned him as an arch-nemesis. Adler is much more interesting, especially when you consider the position of the Conan Doyle Estate that claims Holmes is “only described as having emotions in stories published between 1923 to 1927”.

According to them, the wily detective couldn’t have a love interest. It would violate his character. Instead Conan Doyle wrote Adler as someone that Holmes would admire.

Subtleties, man.

Allow me a brief sidebar on pens, to illustrate the difference.

I’ve wasted a lot of time, and money, searching for the perfect pen. Expensive and cheap. Broad and fine widths. Fountain pens, loose ink, felt tips, and rollerballs. I can tell you about the different types of refills. Which flow better, which dry fast enough. I’m great at parties.

Let’s just say that I love pens. And saying that, you might be interested to know my favorite. My choice will disappoint you.

My favorite pen is the Pilot G2 Retractable, 0.7mm[4]. I buy them by the dozen and stuff them into every pen pocket of every bag I own[5].

This is the pen I use the most because it is the one that writes the best for me. I know what you’re thinking: they’re made of cheap plastic, and disposable. Gross. Yeah, no one stops to admire this pen when I pull it out of my pocket.

Every “nice” pen I’ve purchased has been a gorgeous piece of art. I enjoy opening the box, feeling the weight and balance in my hands, and toying with the satisfying mechanisms. Then I would inevitably try to write with it.

I have a pet theory that fancy pens only exist so you feel awesome when you’re signing your name.

During any amount of long-form writing I’ve found the weight cumbersome. I’m sure I would get used to it over time. Reach a point where I don’t notice it as much. But then I would forget the pen on a trip or leave it on my desk at work. I’d have to fall back to my stock of trusty G2s and the whole damn process would reset.

Nope, the G2 is my pen. I admire nice pens as beautiful works of art. But I love writing with the Pilot G2.

Might seem silly to exhaust so many words on the difference between love and admiration. But it matters when talking about Irene Adler and how her character develops Sherlock Holmes.

A love interest is an obvious character to write. Love is a base emotion, complex and rich with tiny details that can add authenticity to your narrative. It’s an emotion you can expect your readers to have experienced. And it would be too easy to write Irene Adler as a sexual exploit—which is why nearly every adaptation does it. After all, what better way for your viewer to associate with a complicated character like Sherlock Holmes?

The only problem is that it wouldn’t ring true to Holmes’ actual character, as written by Conan Doyle. He wanted you to struggle with understanding Holmes. If Sherlock feels aloof and hard to predict, he is more believable as a tortured genius. Central to his character is the lack of emotion[6].

Irene Adler in the Sherlock series (as in the novels) is an object of desire for any man. Better still, Sherlock finds a match for his wit and intelligence. Sauce for the goose, as Mr. Spock would say.

Adler is the ultimate temptation. Conan Doyle doesn’t cheat either. Holmes sees her. Appreciates her as a beautiful piece of art, and desires her, just as the reader does. Holmes even refers to her as “the woman”. Not any woman—the woman.

Again, it would be easier for Sherlock to ignore her. It’s more powerful that he sees her like others, but doesn’t fall for her.

This is how Sherlock excels, when other adaptations fall short. Holmes desires Adler, but is not tempted by her. She articulates to viewers that nothing dissuades the detective from his addiction.

While neither of my supporting characters are as dramatic as Moriarty or Adler, I take inspiration from them and their adaptations. I can’t wait to share my characters with you and the backstory behind their creation.

Look for The Banker later this week.

  1. Working title for the fourth story is The Addict. We’ll see if that sticks. ↩︎

  2. I’m re-watching them, probably for the fourth or fifth time. This is my son’s first time. ↩︎

  3. For the Sherlock nerds reading this, in the “The Five Orange Pips” Holmes says he has “been beaten four times—three times by men and once by a woman.” There is literary debate if Holmes meant Adler since A Scandal in Bohemia takes place after this story. ↩︎

  4. Yes, 0.7mm. I know a lot who prefer an extra fine tip and spend gobs of money to import them from Japan. No thank you. I lightly glide my pen across the paper and hate nothing more than a broken stroke because the angle was too steep. I consider 0.7mm to be the minimum tolerable for a rollerball. ↩︎

  5. Don’t ask how many bags that is, it’s embarrassing. ↩︎

  6. Still a silly thing to claim copyright over. ↩︎

August 31, 2020

The Sunday Letter

My friend Daniel started writing a weekly newsletter back in March. The thought of a newsletter has never grabbed me, since I barely publish enough on this site as it is. However, I really enjoy Daniel’s process for writing his newsletter.

During the week Daniel thinks of a prompt (or theme) for the week. Then over the weekend, he sets a timer and writes for an hour. He’s often remarked how the result doesn’t always turn out how he thought when he started. It’s about where the writing takes him.

I like the discipline, but I’m still not crazy about the idea of a separate newsletter. Thus, The Sunday Letter is born.

Why Sunday you might ask? After all, I didn’t publish this until Monday. The reason is because Sunday is when I wrote it, and when I plan to write it in the future. And the point of this letter is to write it.

There’s no real format. I’ll write whatever comes to mind, and there may be a collection of links that I want to discuss. Who knows, this might be dumb.

I’ve been thinking recently about old technology that is still useful today. I wear mechanical wristwatches that are inaccurate by today’s standards, yet perfectly capable of telling me when it’s time for a meeting or to break for lunch.

A few weeks ago, I received a delightful gift from a friend. Earlier we had been discussing our favorite Apple hardware from years past, and the fifth generation iPod came up. It’s a personal favorite of mine. Sleek and compact. The best implementation of the iPod’s signature wheel control. It could play games, and movies & TV shows.

My friend had a fifth generation U2 model in mint condition and hoped I’d give it a new home. I happily obliged his generosity, along with a universal dock that included a 30-pin cable[1].

When I got home, I plugged the dock into my Mac and slotted the iPod into it. To my surprise, the Music app began to sync all of my non-Apple Music tracks which were already downloaded onto the Mac. While it was syncing, I opened my headphone drawer and pulled out one of my favorite pairs: the Bang & Olufsen H6 headphones.

The H6 headphones are wired, which became inconvenient about the same time wireless headphones developed satisfying enough audio quality. I even wrote a review about the Bose headphones which replaced the H6s as my daily drivers.

The experience of the iPod with the H6 headphones was a wonderful trip down memory lane.

When I navigated into the Music sub-menu, there was nothing but my music. The click wheel was fast and simple to browse my large library of music. And every selection was acknowledged by a satisfying hardware actuation.

Once a track started, I was greeted by a familiar low hiss. Treble was crisp. And the entire dynamic range filled my ears. Music sounded more alive than it had for years.

This was exactly the respite I needed after months of quarantine. My head buzzed and my heart swelled as five minutes turned into twenty. I became lost in music.

Since that evening, I went in search of the 2nd generation of the B&O H6 headphones which B&O no longer sells. I found them cheap from an Amazon affiliate merchant and they live up to the high praise reviewers gave them four years ago. I also found an iPod classic (160 GB) in mint condition[2] on eBay for a pittance.

Listening to music on a decade old iPod through a wire may seem anachronistic in 2020, but it begs the question: Do I really need a general purpose computer to listen to music?

The iPod is purpose-built to play music. Its interface is designed for flipping through songs and albums. The display is no larger than it needs to be, and the battery doesn’t need to be recharged for a week. All this in a package that makes my iPhone 11 Pro feel like a brick by comparison.

An iPod just plays music[3]—and I think it’s better at playing music than any other device I own. I’ve enjoyed using an iPod again the same way I enjoy setting the time on my mechanical watches each morning.

They’re both old, but still useful to me today.

This week's links:

  • Marco Arment’s review of the 2nd generation H6 headphones. I still use my wireless headphones for WebEx meetings and FaceTime. For music, there are no finer headphones than these. They sound great connected to my iPod and my iPhone. Bonus: there’s nothing to charge.
  • Airlink Bluetooth Adapter. I bought this dingus a few years ago. It works reasonably well to convert my H6s into bluetooth headphones. It affects the quality modestly, but I only notice it in direct comparisons. Also, I never clip this thing to my shirt like the photos show, I just slip it into my pocket.
  • The reMarkable 2. Speaking of dedicated devices, I pre-ordered the reMarkable 2 last week. I’ve always been fascinated by the potential of e-ink. Drawing tablets based on e-ink seem to becoming more mainstream and the reMarkable is the best of the lot. Mine doesn’t ship until November, but I’m excited to give it a try.

  1. I joked that I wasn’t sure if I still had any thirty-pin connectors. The universal dock was also in mint condition. ↩︎

  2. The merchant had replaced the chrome back panel and the screen. The iPod is practically brand new. ↩︎

  3. While it can play movies, games, and sync contacts & calendars, the iPhone is much better suited for these tasks. ↩︎

August 07, 2020

Behind the Scenes: The Taxi Driver

When I published The Traveler, it was a one-off story. It was safe. To publish the next story, I would need to commit to the world I had created, and a broader narrative.

The Taxi Driver was a hard story to finish.

I was confronted with a host of writing challenges in The Taxi Driver, foremost the character of Gertrude. Recently, my writing has favored female protagonists. I’m not sure why.

Perhaps it’s the challenge.

As the protagonist, Gertrude needed to be a strong, well-defined character. As a male writer, I cannot rely on personal experience or my own instincts to understand how a woman thinks.

I prize characters who feel genuine, and I tend to model their behavior after actual people from my past. It takes more than that, however. To get into a character’s soul, you have to understand how they think. Only then will they become a real, breathing person readers can recognize.

As a character, Gertrude could have been written as a man or woman. Her strength defies her circumstance, one of the familiar traits of the hero archetype. Gertrude has little to live for, and nothing left to lose.

She is backed into a corner, metaphorically speaking—a construction of fight or flight. That is the source of her strength.

But it’s her fierce independence that reminded me of several influential women in my life, so I chose to write her as a female. She adopts many of their mannerisms and personality. She is the right mix of stubbornness and defiance—yet she’s still unsure of herself.

In the end, I hit my mark. Gertrude is looking for a reason to live—something, someone, maybe a cause. Then suddenly, purpose falls out of the sky right onto the hood of her taxi.

My original draft of The Taxi Driver started with dull exposition:

“The day she met him started like most others. Gertrude Weathers walked along the alleyway, side-stepping the usual detritus which littered her path to work.

When she reached her car, she pulled back the shabby cover that protected it from rain.”


As I developed the story, I needed more characters to help move along the narrative. The purpose of my original draft was to figure out Gertrude and describe her situation. But there wasn’t enough for a story. Her environment needed character.

I found Franklin in the second draft, while asking myself: what is the usual detritus that littered Gertrude’s path? Who put it there, and how did that person experience life?

Franklin is the balance to Gertrude’s poverty. She’s right on the edge, but still works hard to improve her circumstance in a rigged society. Franklin doesn’t have that luxury, for reasons implied—but not explained—in The Taxi Driver.

Franklin is confined to a chair, but I don’t say this anywhere in the text. As you read more of Franklin in later stories, you might notice how everyone glances down towards him. He struggles with a sense of direction, and has a habit of sneaking up on people.

I went back and forth on how and when to describe Franklin’s disability, but never found a place where it worked in Taxi Driver. After a few failed drafts, it occurred to me: Gertrude sees only Franklin, not his chair[1].

You may notice I don’t provide a lot of physical description of my characters. To be honest, I enjoy the efficiency. I prefer to leave those details to the reader’s imagination. Let you fill in the gaps from your own experience.

I still describe my characters, but their appearance is less interesting than how they behave or talk.

There is one insignificant physical detail for Gertrude that slipped in: The neon green bolt of hair. It’s not important to the story, but it does connect Gertrude to a woman from my past. Someone whose personality provided inspiration.

During my junior year of high school I briefly dated a senior. I’ll call her M to keep things anonymous. She was fierce. Independent, stubborn, and possessing a flair for the dramatic[2].

M had an old fashioned name, the kind most women receive as a middle name in honor of their mother’s favorite great-aunt. A name like Gertrude.

She bleached a streak of her brown hair platinum blonde, and her favorite pair of shoes were lime-green Chuck Taylors. For a Virginia suburb of Washington, DC in 1995, this was quite exotic. Especially for a sixteen year-old boy.

In real life M was a woman at a time when I was still a boy. She was mature for her years, with a severe outlook on life. Part of a military family, she moved across the country as a teenager, and didn’t like for people to get close.

She searched for purpose. For a reason that would make sense of it all.

We lost touch after she graduated and moved away. I like to think she’s figured things out and is off conquering the world. My memory of who she was lives on in Gertrude. And maybe that’s why she reads genuine to me.

I can only hope you enjoyed her story as well.

  1. There’s a moment where Gertrude asks Franklin to “… help me move the body”. It’s a hat tip to Gertrude’s world view , but also a sleight of hand that may lead readers to draw certain conclusions about Franklin. Conclusions that could be useful in later stories. ↩︎

  2. Near zero chance she is reading this. But a few of my high school pals who are reading need only two words to remember her: black roses. ↩︎

Short Story

The Taxi Driver

“What’s the point, anyway?”

The day she met him started like most others, with her voice muffled by a pillow.

Gertrude Weathers was alone.

I could do it. Really do it this time.

She held her breath, and pulled tight.

A lump formed in her throat. It begged her to let go. To take that life-saving gulp of air.

Gertrude refused.

She held her grip on the synthetic pillow case, and prepared herself for the end.

Her vision sparkled until it closed in and went black.

An hour later, a chime on Gertrude’s communicator startled her back to life. Her head pounded and pulsed.

Finally, her eyes focused on the communicator: she already had today’s first call.

Gertrude sighed.

“Time for work.”

She grabbed yesterday’s shirt off her bunk and pulled her pants on, careful to lace her feet through yesterday’s underwear.

Gertrude’s neighborhood was rough, like all of them on the ground. Walking out the door, she was careful to avoid the usual detritus.

Syringes, empty bottles, and puddles of piss.

“Still around the corner in the alleyway, just where you left it.”

Gertrude smiled.

“Jeez, Franklin. Did you have a big party last night?”

“Heh, you know me. Fella on Elm found a body with a bunch of un-used cred in their pocket. Looked like they was thrown from a few hundred floors, so we figured they didn’t need it anymore.”

“And you didn’t save any for me? I’m hurt.”

“That’ll be the day, Mizz Gertrude. You know where to find us, any night you want to join.”

“I don’t think your pals could handle me on a fix.”

Franklin looked up at her as she waved her communicator past his wrist. A soft ching! sounded.

“Always the quiet ones who surprise you.”

Gertrude’s late-20s model taxi was in the alleyway, just as Franklin had promised. Her car bore the familiar government seal on its doors. A sign to patrons the vehicle was part of the Human Taxi Program created after the Welfare Reform Act passed in 2043.

The program provided jobs for grounders who couldn’t get work because of automation.

“Elm and 27th. Six hundred and seventeenth floor?”

Gertrude raised her eyebrows when she glanced at her communicator. She pulled back on the yoke and climbed towards the cloud line.

Her taxi fell into the line behind a hoverlimo. Its polished metal sparkled in the harsh sunlight.

When she reached the platform at level 617, a man in a red waistcoat and wig directed her toward the waiting area.

“Good morning, mum. Please scan your license credential.”

Gertrude raised her communicator to the scanner. Then the doorman flipped through his manifest.

“Thank you, Miss Weathers. Your fare will be down momentarily.”

Gertrude nodded. There was a regal curl to his voice.

The flyers are always so formal.

Their palaces rose high above rest of the world. Few of them ever went below the clouds. Or rode in human taxis.

“Good morning, m’am. Can we make it to Ash, and 727th before 11am?”

An athletic man in fitted clothes and a dark cloak climbed into the back seat.

“Ash and 727th?”

This prince must be after loose women, and gambling.

“Can I recommend a good casino after your appointment? I know a guy, he’ll take real nice care of you.”

“Pardon me?”

The man stared at Gertrude through the mirror, obviously startled by her suggestion. She wasn’t used to driving flyers, and had an unfortunate habit for saying the wrong thing.

“Oh, I’m sorry.” She glanced down at her console. “Let me take a quick look at traffic.”

Flyers often booked human taxis when they needed to be inconspicuous. Every grounder knew flyers liked to drop-in for surprise inspections to ensure their businesses ran smoothly.

Must be his first time.

As she tapped her console, Gertrude risked an upward glance into the rear mirror. Her passenger’s skin wasn’t pockmarked from the harsh rains like those who lived under the cloud line.

It looked irresistibly smooth. Polished, with a shine that matched his bleached hair.

Gertrude was staring.

As she pushed her hair over her ears, a bolt of neon green fell back into her eyes. When she brushed it back, their eyes met.

His were a soft grey. And his smile revealed iridescent teeth. He’s smiling!

Gertrude suddenly looked away.

She cleared her throat and brought it back to business.

“Skyways four, and ten are blocked. We’ll have to go around, but yeah...”

She shrugged. “—we should be make it by 11am.”


He still had a smile on his face. Despite her best effort to conceal it, Gertrude was flush with embarassment.

She disengaged the air brake, and pressed heavy on the accelerator, in an attempt to deflect the awkward moment.

“Buckle up!”

The taxi made a sharp dive for the cloud line and the handsome stranger’s smile was replaced by abject fear.

Once underneath the layer of thick clouds, Gertrude leveled off. The glare of the sun was replaced with the glow of signs and the mist of a light rain.

They were in the Heavy Industrial Zone, where millions of plant workers slaved for meager wages.

Animated billboards advertised everything from anti-fungal cream to enhancement surgeries.

One advertisement stood out amongst the crowd. Bright red and massive, with bold yellow letters.

Unhappy with your life?

Find meaning with NeroCorp,

and alter your path.

As they passed near it, the displays in Gertrude’s taxi lit-up with a simple invitation: “Submit your questionnaire today.”

“Have you ever thought about doing that?”

What was that handsome?

Gertrude almost forgot about her glossy-faced passenger. She tried to swallow the cotton in her throat.

“Who, me?”

“Sure. Hasn’t everyone? I know I’ve thought about it.”

Is he fucking with me?

“You don’t strike me as the type desperate enough...”

“Ouch. I’m not desperate...”

“ fall into their trap?”

“...because I want to believe in something?”

Gertrude frowned.

“Suit yourself, flyer. I can’t afford a religion that costs that much.”

The man rubbed his left breast, just over his heart.

He was rubbing something in his coat pocket. Was he upset?

Oh God, he’s one of them. Probably trying to convert me.

“Hey mister, I’m sorry.”

The man smiled dimly, then glanced at a tablet he thought was concealed under his cloak.

“... I didn’t mean anything ugly by it.”

Her insides churned as she replayed his retort.

Gertrude submitted a questionnaire three months ago. It took her four years to save enough, including several nights with an empty stomach.

After all of that, she heard nothing.

Gertrude swallowed the knot in her throat. Then she turned the wheel, and her taxi slid off the skyway.

“Worst of the traffic is done. We’ll be there in about 10 minutes.”

The rest of the trip was quiet. No more sideways glances or small talk. When they arrived, the man thumbed the screen for his fare, and stepped out onto the platform.

He left a gigantic tip.

Gertrude hollered out to him as he walked away.

“Hey thanks a lot mister!”

The man turned back and leaned into her window. He glanced at her credential on the dash, then bowed his head.

“It was a pleasure to meet you, Miss Weathers.”

He waved his communicator towards her console. A chime rang as his number was added to the address book.

“If you ever change your mind, I would love to discuss it.”

As he pulled away, his finger touched the side of her cheek. Her skin heated and she blushed once again.

I really hate choir boys.

... but it was the first time she had smiled in a month.

The stranger’s unusual tip was the highlight of Gertrude’s work day.

“You know, I’ve always preferred human drivers to those computer driven monstrosities. Wouldn’t you agree, love?”

The rest of her fares were to the nearest liquor store, or plant workers looking for shops that offered payday loans. Except this obnoxious flyer couple on their way to the Opera.

“Actually, I’ve never ridden in an auto.”

“Silly me, love. Of course you haven’t. I imagine you drive yourself wherever you need to go. That’s why the Human Taxi Program is so brilliant. Gets you gutter rats off the street so you can provide a valuable service to society.”

Gertrude forced a smile towards the rear mirror.

Stop calling me love.

“Charles and I only take human taxis. It’s our civic duty…”

Civic duty. These assholes run their mouth about charity. Their opera tickets are worth more than Gertrude makes in three months.

At least they left a pleasant scent in her car.

Gertrude used the roads to get home, instead of a quicker trip in the air. Under the program, each driver receives a stipend for energy cells. She pockets a portion of the stipend by spending more time on the ground.

A protest erupted a few blocks from her apartment, so she took a different alley to her building.

Halfway down the alley, a body fell out of the sky onto the hood of Gertrude’s taxi.

A large thump sounded through the dash.

She forced the brakes, and the body slid onto the street.

This drunk asshole couldn’t have killed himself in another alley?

Gertrude pulled off to the side, then approached the body. As she went to pull it off the street, a voice startled her.

“Oh lookey here. 'Nother cold gift from the sky.”

“Dammit Franklin, don’t scare me like that.”

“Sorry, Mizz Gertrude. Are you alright?”

Gertrude looked back to her taxi.

“Left a nice dent on my hood, but I’m alright. She’s a tough ‘ole bird.”

She looked down at the corpse. It was a man’s frame. Moderate build, and skin that didn’t show signs of exposure.

“Can you help me move him off the street?”

When she grabbed his arms, they were warm. She checked his pulse.

“He’s still alive.”

“Well, I’ll be. This be one pissed of flyer, come mornin’. Either he jumped, or he’ll be after revenge for whosever pushed him.”

Franklin looked disappointed.

“No cred or chip card in his pockets. Or ID badge.”

“Maybe he can tell us more after he wakes up.”

“... and we can collectin’ our re-ward.”

“What makes you think he has money?”

“Look his clothes. Feelin’ softer than your panties, me-thinks.”

His clothes were not lavish, but felt softer than any synthetic Gertrude had ever touched.

“No grounder have anything this soft. Which mean he‘ave cred.”

Gertrude looked up and down the alley. It was empty, no doubt since it would be dark soon.

The body wouldn’t be safe outside.

“Guess you’re coming with me.”

The Lucky Odds casino was loud for an early afternoon. It filled the corner of Ash and 727th Street with the sound of electronic slot machines.

A man in a dark cloak, and polished features approached the covered entrance. He glanced back towards the departing cab.

She was cute, even for a grounder.

The man thumbed his communicator.

“This is Hammersmith, I've reached the coordinates. In pursuit.”

Just inside the covered entrance was a valet stand. The attendant was young, with an untidy clump of dark hair, and tiny pockmarks on his face.

Hammersmith produced a grainy photo of middle-aged man. The caption read “TZZ-34663”.

“Have you seen anyone like this? Did they go through those doors?”

The valet glanced down towards Hammersmith’s right thigh, where his unlatched cloak caught on his holster.

“Don’t talk to suits, boss man.”

Hammersmith considered him for a moment. Then he pulled on the underside of the valet’s chin, matching gazes with the boy.

“It’s important I find him. There’s a lot of money involved.”

Hammersmith raised his eyebrow. Then he tapped his communicator on the valet’s console. His identity lit up the display.

The boy swallowed before his response.

“Dont’a talk to church boys neither.”

With his left hand, Hammersmith grabbed the valet’s head and smashed it into the stand. The console cracked, which opened a wound on the side of the boys face.

“You’re going to answer my questions.”

“Hey you, bossa man. Get’n yer ‘ands off that’n boy!”

Two oversized gorillas, posed as security guards, ran towards the stand. Hammersmith drew his pistol with his right hand.

“I’ll drop both of you if you take another step.”

He still held the valet’s neck in a grip with his left hand.

“My friend here was just telling me where I can find that man.”

Hammersmith nodded to the photo on the stand.

“Take me to your video room, and no one gets any holes in them. Okay?”

The security guards took a step back, and nodded.

“J’okay bossa man. No trouble. Floor manager set’n ya’up inside.”

Hammersmith snapped the safety, and re-holstered his weapon. He loosened his grip on the valet, then tossed him a handkerchief.

“Here kid. Put that on your face and apply pressure. If you see this man, you’ll be sure to contact me directly.”

The boy nodded without making a sound. He glanced down at the identity on his cracked display:

Todd Hammersmith

Agent, NeroCorp

Todd walked into Lucky Odds and made for the manager’s cage in the back.

June 21, 2020

Writing for the Screen

I’m gonna come out and say it: acting is hard. In interviews actors talk about “the work”, and I’ve always found this characterization odd—is it really?

After my fourth take of the same three lines, two hours after we started filming, I felt it.

I feel like a jerk for ever thinking it wasn’t work. Like much of art, acting is easy to criticize, and incredibly difficult to master. Not everyone can do it, either.

Don’t get me wrong, I loved it. The entire experience was exhilarating. But as someone who cares about doing things well, I realize I’m not very good at acting.

I thought talking to a camera would be similar to a stage presentation in front of a live audience. Both are performances, right?

The difference is apparent by what the camera doesn’t show you—the dozens of people behind the camera.

Light and sound crews, camera operators, story producers taking notes, the person advancing your slide deck, and an “A.D.”—Assistant Director—barking[1] at everyone to keep them on task.

My crew was just shy of 25 people[2]. They all had more experience than I did, and they rarely made mistakes. And if they did, they apologized to me!

Which is insane, because of how many mistakes I made. Flubbing words, shifting my weight out of frame, bouncing out of their focus line, or sounding like a zombie.

There is a director, too. Their job is to help you get your best performance, and maintain continuity across a host of other performances.

The whole machine is setup for iteration. Even if you “nail it” on your first take, you do another. When you get a “good take”, you experiment with the next one. Try things that might fail, then try it another way.

As a developer and designer, I’m familiar with iteration. Only those iterations are private, not in front of 25 people executing their job perfectly take after take.

I felt relief every time the director said “check the gate”. That meant it was time to move on.

The script is very different from stage presentations. For the stage, I typically write key points I want to hit upon in my speaker notes. Something I would glance at, never something I would read.

If you read on stage, you break eye contact with your audience. You can’t see their reactions, nor can you make them laugh.

On stage it is just you. You advance your slides[3]. You determine transitions. There is little coordination with others, so you can ad lib and you’re the only one who knows[4].

On camera, those 25 people need to do their jobs. And to do their jobs, they need to know what you are going to do. They need a script.

Fortunately for me, there was a fancy teleprompter that allowed me to look directly at the camera and read my script.

Problem solved, right?

About one times in three I flub the word “statistics” when I say it out loud. I avoid it in conversation. It isn’t the only word I struggle with either.

Truth be told, I’m extremely self-conscious about my speech.

That sounds weird coming from someone who likes to talk as much as I do, but there you go. Only real talk on this blog.

Back to the script. When I was writing I didn’t think about reading it. I thought of it like a presentation: I wouldn’t really say all of this, I’d come up with something that sounded more natural in the moment.

I focused on narrative. Story arcs, reveals, emphasis, and transitions. I built it like a story that one would experience by reading, not hearing. And I did not consider words I struggle to speak.

Writing fiction has taught me the importance of dialogue. People speak in incomplete sentences. They offer half thoughts, and are often prone to ramble.

If you write a character that speaks effortlessly in complex, multi-clause sentences without a breath—well, that character better be a robot.

Filming reinforced this lesson in dialogue[5].

It was hard not to become meta and critique my writing while trying to perform in front of the camera. I made it through the day by treating commas as periods. Phrases where I stumbled, like “an example implementation”, were simplified into “an example”.

The experience was wonderful, and I learned a lot about acting and writing for the screen.

I’m not sure if I will ever film like this again. Maybe if the project is right. But I will never again wince when I hear an actor talk about “the work” during an interview.

I’ll just nod and think to myself: “That’s why you get paid the big bucks.”

  1. My AD was a real card. When I met them, they told me “I’m here to make sure we don’t have fun.” An upmost professional, and very good at their job. A liar, too. We had a ton of fun. ↩︎

  2. Everything was perfectly safe, don't worry. Everyone was required to wear masks and maintained a minimum safe distance at all times. ↩︎

  3. It’s not always true that you advance your slides. My first presentation for a Mac conference was a blitz talk for the 2009 C4 conference. The organizer wrote software that would auto-advance each slide every 15 seconds.

    For that presentation I flipped through index cards with notes written in black sharpie. ↩︎

  4. During my presentation at the 2015 Release Notes conference, Charles Perry and his wife were behind a computer recording the talk. They could see my speaker notes as I presented and they later remarked “You didn’t look down at your notes.”

    My response was surprised “Was I saying what was written in them?” The point of this story, other than it makes me sound cool, is that I always ad lib my stage presentations.

    My public speaking class in university taught me that the best public speaking is extemporaneous. ↩︎

  5. Pro tip: when your Director says “Woah, that sentence is a mouthful”, your script has problems. ↩︎

May 01, 2020

History of Nebula Squad

The idea first came to me on August 9, 2019 while sitting at a traffic light. I tapped the Ulysses butterfly and wrote:

Military Space Novel
Main character is told to sit out upcoming mission

I let the story marinate for the rest of the drive. Worlds, characters, events. Friends, foes, and palace intrigue.

My favorite part of any science fiction story is the history. What is the connective tissue from now into the imagined future?

As I wrote the history for Nebula Squad, I thought a lot about the power to lead. Where does it comes from? Ancient kingdoms were ruled by leaders believed to be chosen by God. How does a reasoned society yield power to a leader?

Democratic republics were formed on the equal promise of prosperity[1]. What happens if prosperity evaporates? What would fill the vacuum?

For my story, I created a destructive event that would push humanity from reason. Force them to question the most basic assumption of any free society: security.

The world of Nebula Squad is set far in the future. Humanity colonized deep space using generation ships that traveled for hundreds of years. When they arrived at a hospitable system, they built interstellar gates to travel back.

At the edge of known space they discovered a mysterious disease. It spread quickly through the interconnected systems, and soon no one would survive past the age of sixty.

Nebula Squad takes place generations after the blight first spread. Society is governed by a small ruling family, who form the Grand Tribunal. They are the offspring of a miracle—a woman born with an immunity to the disease. A genetic immunity that can be passed on to her children.

The Grand Tribunal, and its regional tribunals, divine power from this immunity. They are “God’s chosen”.

Most dystopian futures cheapen the value of life due to expected over-population. Because of the blight, I can write the opposite with my dystopian future.

The founding principle of the Grand Tribunal is that “murder cannot be tolerated”. Life is sacred. Anyone convicted of homocide commits their family to a lifetime of military service for the next seven generations.

Under the stress caused by the blight, intelligent people of reason consider this a rational response to the economic crisis. It’s not hard to imagine, considering the examples of humanity’s past.

Many today hold a certain contempt for people of faith because their beliefs can be distorted by the morally corrupt. History has shown us that reason and science can be equally misappropriated[2].

This is one of the themes I hope to explore in Nebula Squad.

When “military space novel” first appeared on the page back in August, I didn’t expect to write such a contemporary story.

As a friend once told me, “Life has a funny way of leaking into your writing”.

  1. Indeed, John Locke established that private property was essential for liberty. “The great and chief end therefore, of Mens uniting into Commonwealths, and putting themselves under Government, is the Preservation of their Property.” ↩︎

  2. The guillotine was once considered a humane means of public beheading by the same government so committed to reason they created a calendar based on the decimal system. ↩︎

Bose Noise Cancelling Headphones 700 

Like many others during shelter-in-place, I’ve relied on my AirPods Pro to communicate with my team. Eight hours of calls is a lot to ask of your ears, regardless of your headphones.

To provide an alternative for my ear canal, I picked up the Bose 700s after reading enthusiastic reviews of their new microphone array. They’ve performed great in my first day of calls, and sound better to my ear than the QC35s.

I expect to split time between these and the AirPods Pro for video meetings.

April 23, 2020

Behind the Scenes: The Traveler

With each new story published, I plan to follow with a behind-the-scenes look at how it came about. This allows me to put each story in context, and dive into some technical details, which you might find interesting.

The Traveler started life in my writing journal as a writing exercise.

This past November I was in Salinas for writing vacation. Over a long weekend I parked myself in a hotel to plan and draft the first part of my novel: Nebula Squad[1].

Each day I slept-in, wrote for 4 hours, took a break for food, then wrote for another 4-8 hours. It was four glorious days in The Zone™.

During one of those food breaks—after ordering the Prime Rib special, with a root beer—I tapped out a quick story on my iPhone[2]:

A traveler from out of town sits down at a table.

He sits facing away from the door. Towards the TVs showing a regional sports favorite.

“I'll take the prime rib special with a house salad. Root beer to drink.”

Nothing more than a simple, boring description of what I was doing[3]. From there I imagined a conversation between the stranger and another patron of the diner:

An older woman from an adjacent table speaks up.

“You're not from around here.”

“Do I stick out?”

“You blend in fine, I reckon. But you ordered the Prime Rib special. Lou in the back tries to sneak in horse meat on the weekends.”

At the time, I didn’t know the stranger’s name or that the older woman would become Eunice. They were pieces on a chess board, not characters.

As I cut into my delicious prime rib[4], I considered life as an out-of-town stranger. Imagined my lunch as a story.

Then I put it away and moved on with the weekend. It was a writer’s exercise and never meant to be anything more.

Months later, I needed material to publish for the site launch. None of my short stories were polished enough, so I thumbed through my writing journal.

I chose The Traveler as the first piece of fiction I would publish. Warm memories of that prime rib, and the sense of adventure in the midst of my writing trip drew me back into the story.

However, it needed work before it was fit to be my first impression. The story needed to grow past a poor documentary of my November lunch. That required defined characters, with obstacles in their path.

In addition to pages of story fragments in a writing journal, my Ulysses library is littered with pieces of three novels and several short story projects.

The backstory for one of those short stories centers around the abduction of Thad Michols. I found a place for my stranger and importunate diner patron, and a world where horse meat masquerades as beef. Most of all, I found conflict.

After a week-long edit, the published version of The Traveler became a prologue for a larger story.

The response to my first story has been a warm welcome back to the web. The site launched earlier this week without analytics. I wasn’t confident in that decision, until the tweets and text messages starting rolling in.

The enthusiasm has exceeded my expectation—and caught me a little off guard. Many of you have asked: “When do we get to read more of the story?”

At the beginning of this week there wasn’t an immediete plan to finish this untitled short story. But after your response to The Traveler, I’m making one.

The story is already plotted, and character biographies have been written. I even have a few pages of manuscript.

It occurred to me that I could publish the story as a serial. I’m not sure the schedule or frequency just yet. But I'm running with this idea.

Once I have more manuscript drafted, I'll let you know.

Thank you for reading!

  1. At some point I need to tell you more than the title. ↩︎

  2. In Ulysses, of course. Have I mentioned how much I love Ulysses? ↩︎

  3. It was a Saturday in November, so the “regional sports favorite” was college football. My favorite sport, in my favorite time of year. ↩︎

  4. Most definitely not horse meat. ↩︎

April 20, 2020

It’s Good to be Back

Everything clicked during a conversation about a bathroom remodel. It was a typical evening with friends. Glasses of wine, a few cocktails, and conversations about our kids. Only there was nothing typical about it over FaceTime.

My moment of zen happened after someone asked Amanda about her remodeled shower:

“I really like the tile… except this one line of grout near the top of shower. It drives me crazy.”

Turns out most of the grout lines are the same width, except the one right at eye level. The grout line staring back at her every morning in the shower.

Will others notice it? Not likely. But that isn’t the point.

I built my last site so I would write more. The middle of 2016 is when I hit my stride. The words started to flow, even with a line of grout staring me in the face: There were too many steps to publish.

Statically generated sites are straightforward technical beasts. They are the simplest way to customize your site down to an individual HTML tag. However, publishing requires FTP and an SSH session.

The process wore me down. I never stopped writing, but I slowly stopped publishing.

Everything is written in Ulysses. And what I really wanted was to export from Ulysses directly to my site. Bonus points if I could schedule a post in the future.

In mid-2016, one could publish directly from Ulysses if that site was powered by Wordpress. I know what you’re going to say, but hear me out. This is my therapy session.

Ever heard the phrase: “The final 20% is where a project dies”? That’s where we’ll start with my adventure in Wordpress themes. It wasn’t PHP or performance concerns, rather the tiny, very significant-to-me typographic flourishes, which I struggled to replicate in Wordpress.

I found workarounds. Mostly.

For eight months I meticulously built a theme, and imported older posts by hand. I was down to a final bug: render the footnote return character on iOS without a godforsaken emoji. It proved to be the hill my Wordpress dreams died upon.

Eight months of work, and there were still irregular grout lines.

Cured of my delusions for using a framework out of my control, I decided to write my own publishing system. Sigh. I wrote a server in Swift. And built an iOS app to push posts to the server, and generate static HTML. It was a wonderful system I affectionately named Agatha.

It took me an entire year of nights and weekends to build. Now it was 2019 and two years since I had published anything. To add further insult, the introduction of SwiftUI was a sharp reminder that I would continue to waste precious writing time keeping the iOS app going.

Oh, and I still couldn’t publish directly from Ulysses. Shit.

Agatha taught me a lot about Swift, but its best gift was focus: I wanted a great way to share my fiction. The structure for this site started as the four different post types I created for the Agatha system.

Accordingly, each post falls into one of four buckets:

  1. Short Stories: complete stories of fiction, written by me.
  2. Selections: from my writing journal, fragments of fiction.
  3. Annotated Links: short comments on things that grab my attention.
  4. Blog Posts: non-fiction blurbs about writing and other things that interest me (like music or watches).

In addition to fiction I’ll publish here, I hope you’ll enjoy a behind-the-scenes peak at my in-progress novel, Nebula Squad. It’s my third attempt at writing one, and it’s already off to a good start. In February, I shared the first third of the story with other writers (i.e., friends), and their feedback was positive.

This was my watershed moment. I’m writing with purpose, and it’s time to publish again.

I’ll keep my old page going at until I’ve migrated its content over to this domain, and setup proper redirection. Oh, and we should probably talk about my new pen name. All in good time.

The site isn’t perfect. But it’s thoroughly modern, served over HTTPS, and equipped with a JSON and an RSS feed. The whole thing is powered by a custom build of Ghost, and an unapologetic Web-assed Web Page design, built only with CSS and not a lick of client-side JavaScript.

There are still irregular grout lines, but will anyone else notice? That isn’t the point.

This is a start.

DJR: Font of the Month Club 

David Jonathan Ross:

Fonts of the month include distinctive display faces, experimental designs, and exclusive previews of my upcoming retail typeface families. By diversifying your font collection at a minimal cost, the club can push you to try new and interesting type in your work.

If you love typography like I do, then you’d be crazy not to join this club. It’s a steal at $72 for the year (that’s $6/month). Even better, you can purchase past months for $12. That’s dirt cheap for high quality typefaces.

The titles for my fiction posts are set in Roslindale Condensed Bold (June, 2017).

Writing Journal

The Traveler

Thad Michols had just switched the ignition for his truck, when a tap-tap on the passenger window startled him. The window tapper was a clean-cut man, in a dark fitted shirt and trousers.

Thad reached across to roll down the window.

“My car broke down, and I need a lift to my sister’s farm. I think it’s down that road a few kilometers.”

The stranger pointed left towards the road at the next intersection.

Thad appraised him. Clearly he was not a farmer, which meant he probably came down from the city. Thad figured he was out this way for a specific reason. If his sister was as handsome, the trip would be worth a few extra miles.

He unlocked the door, so the man could climb in.

“Thank you, friend.”

“Certainly. My farm is down the same road.”

Thad pulled out of the diner parking lot onto the main road. As they approached the light at the next intersection, his curiosity got the better of him.

“What did you say your sister’s name was?”

“I didn’t.”

Thad shrugged as he turned left. Large apricot orchards overtook both sides of the narrow farm road.

“Not a creepy stalker or anything sinister like that. There’s a few farms down this road, just need to know which one?”

Thad flashed a grin at the man who nodded back. He produced a piece of paper from his shirt pocket with pencil markings scribbled on it.

“She wrote down the address for me.”

A name would’ve worked all the same, Thad thought to himself. Must be his first time out of the city.

When Thad reached for the paper, the man grabbed him by the arm and pulled him into a headlock. His other hand held a cloth to Thad’s mouth and nose.

The truck swerved off of the road and into an orchard, as Thad struggled with the stranger.

Thad remembered turning the wheel to avoid a tree right before everything went black.

“Well, he ordered the prime rib special and a root beer... As if the special wasn’t weird enough. What kind of grown man drinks a root beer?”

“I’m sorry m’am, what’s weird about the special?”

Before the older woman could answer, an oversized man barked from the kitchen.

“Stop spreading those rumors, Eunice. I don’t serve horse meat!”

Eunice leaned in toward the detective and whispered.

“It’s horse meat. Never order the Prime Rib on the weekends, our local paper caught Lou. One of those in-ves-tigative pieces.”

Then she raised her voice so Lou could hear.

“... everyone knows he prepares it right during the week. When he has to serve the feddies.”

“STOP SPREADING THOSE LIES, EUNICE! I should ban you and your blue-haired friends.”

The detective rubbed his temples.

“M’am, I’m not here to investigate the kitchen. I need you to tell me everything you remember about this traveler.”

“Well, as I was saying. He had a dark shirt. Real fitted, and tight—like he was one of those spies on TV. Dark trousers. And real light blonde hair. Almost looked white like my cousin Henry’s little boy, what’s his—”

“Thank you m’am. And you said he ordered, but left before his food came?”

“Yeeesss, very odd. I tried talking him out of the Prime Rib, so maybe he caught wise and skipped before it showed up.”

“Possibly. Did you notice if he left before or after Mr. Michols left the diner?”

“Y’know I think it was right after Thad left that this man started acting so strange. Here I was trying to warn him about his dinner, and chit-chatting with him—like being a friendly neighborly type. It was clear he stuck out like a sore thumb and I was just about to ask him where he was from, when he suddenly stood-up and walked out. Completely rude. Young people—“

“Thank. You. Missus—“

“Oh you can call me Eunice, detective. We’re not pretentious around here. You city cops are always so formal.”

“Well thank you, Eunice. Did you notice anything else strange about him?”

“Did I mention the root beer?”

The detective flipped his notebook closed, then pulled a business card from his jacket.

“I’m Detective Singh, and the woman interviewing Lou over there is Sergeant Christopher. If you think of anything else, you can reach me at those numbers.”

“The owner—Lou—didn’t get a look at the man. What did Eunice have to say?”

Sgt. Christopher raised her eyebrows and sent a half-smile towards her partner. The gravel beneath their shoes crunched as they approached their squad car.

“Nose down, Sergeant. This is probably the most exciting thing to happen in this town for a while.”

Detective Singh switched the remote to unlock the doors, waiting until they were both inside before he continued.

“Eunice told me enough to get a reasonable description of our suspect. And he appeared to time his exit to Mr. Michols’ departure. He definitely wasn’t a local, probably a city dweller from the description. Which means we should be able to match any prints we lift from the truck.”

“We might find Michols’ grandfather’s prints for all we know—that truck is ancient. Hasn’t even been modified for flight. Honestly, how do people get around out here?”

Singh pulled out into the road, heading back to the scene of the crash.

“Personally, I enjoy all of this road driving. Reminds me of when I was boy. You young kids are spoiled.”

When they got back to the scene, the investigators already had scanned for prints.

“Only one set. Likely Michols, considering we found similar prints on the trunk and on the latch for the hood.”

“Our suspect was smart enough to wipe his prints?”

The lead agent directed Singh to the space around the truck.

“And cover his tracks—although I can’t figure out how. Yesterday’s rain left a healthy amount of mud. You can see it turned up where the tracks skidded before the truck hit the tree.”

Singh looked at his partner, who was also confused.

“There aren’t any footprints leaving the vehicle?”

“None. It’s like they vanished after the crash.”